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From the composer: "The title, House of Doors, comes from a meditation exercise in which you imagine walking through a hallway full of doors, choosing one, and exploring what’s inside. The exercise is designed to increase creativity and the ability to make positive changes. To me, this meditation is fun, like being in a dream where I can make some choices. The starting point for the Concerto came from three different “rooms” I encountered, and each is translated into sound. The piece is divided into two continuous movements."


  • Solo Flute
  • Oboe
  • English Horn
  • 2 Clarinets
  • 2 Bassoons
  • 3 Horns
  • 2 Trumpets
  • 2 Trombones
  • Tuba
  • Percussion (Timpani, Snare Drum, Toms, Tam-Tam, Woodblocks, Vibes, Triangle) - two players
  • Violin I
  • Violin II
  • Viola I
  • Viola II
  • Cello I
  • Cello II
  • Double Bass